Arashi – Based on the piece “Odaiko Kakeai Kihon Kyoku,” composed by Kenny Endo, Arashi was arranged by Pittsburgh Taiko founding member Ikuko Kurasawa. A rousing piece highlighting the ō-daiko, it features interplay between multiple groups of players, a driving beat, and extended solos on the ō-daiko that are sure to excite the audience.

Bon Daiko – An arrangement of rhythms used to accompany dancing during Obon, a Japanese festival that takes place in late summer in celebration of the one-night return of the spirits of one’s ancestors to this realm, Bon Daiko takes inspiration from San Francisco Taiko Dojo founder Seiichi Tanaka’s arrangement “Matsuri.” Bon Daiko utilizes the slant-stand performance style developed in 1960s Tokyo by the group Sukeroku Taiko.

Buchiawase Daiko – For groups of three drummers, Buchiawase Daiko is an arrangement of festival drumming rhythms from the Miura Peninsula south of Tokyo, as taught by taiko soloist and Wadaiko Ensemble TOKARA leader Art Lee. This drumming is performed during fishing season by groups of fisherman; it is believed whoever gives the best performance will receive the best catch that year.

Hiryū San-dan Gaeshi – Composed by Daihachi Oguchi of Osuwa Daiko, Hiryū San-dan Gaeshi was first performed at Expo ’70, the 1970 World’s Fair held in Osaka. With the title meaning “The Dragon God Descends Three Times,” and featuring a chanted prayer calling for good luck and fortune to come out of bad situations, “Hiryū” takes inspiration from a winding river near the Suwa Grand Shrine called the Tenryuu-gawa, or “Sky Dragon River.”

Korekara – Composed by Walter Clarke and Michelle Fujii, Korekara was written for the 2005 North American Taiko Conference. Translating roughly to “From Now Onwards”, the song is meant to honor the teachings of the original creators of wadaiko and look forward to the new and exciting directions that the art form may take.

Maruneko Daiko – Based on rhythms used in the Sukeroku Taiko piece “Oiuchi Daiko,” and arranged for Pittsburgh Taiko by founding member Benjamin Pachter, Maruneko gets its name from the circular choreography found throughout the piece (the “maru” in the title means “round”). It is a bouncy piece that brings together group choreography and individual solos.

Miyake –Miyake brings together music performed for the Gozu Tenno Sai festival in July on the island of Miyake, southeast of Tokyo. It is an arrangement of “kiyari-daiko,” the drumming that is played as the mikoshi (“portable shrine”) is carried around the island. This version is based on the arrangement of “Kiyari-daiko” made famous by the group Kodo.

Phoenix – Composed by Pittsburgh Taiko member Roger Walker, Phoenix is a piece inspired by modern heavy metal music. The choreography evokes an image of the old firebird spreading its wings, and the transition from slow and heavy melodies to fast and light solos symbolizes the death and joyous re-birth of the Phoenix.

Thunderhorse – Arranged for Pittsburgh Taiko by founding member Jonathan Lui, Thunderhorse is based on the Osuwa Daiko piece “Isami Goma,” composed by Daihachi Oguchi. Through driving rhythms and choreography, the piece evokes images of war horses carrying medieval samurai to battle.

The official website of Pittsburgh Taiko